Tuesday, January 16, 2007

Combine still life images into your interior design statements

From spicy color combinations to hues that warm the soul, 2007 color trends contain palettes that work independently as a "statement color" or as a subtle backdrop where home furnishings and accessories take center stage.
"Many of these palettes will find a home in rooms from coast to coast," Debbie Zimmer, color and decorating expert for the Rohm and Haas Paint Quality Institute and member of the prestigious Color Marketing Group, an international organization that helps shape the latest color trends said. "What I enjoy most about our palette grouping this year is the homey and nature-like quality afforded by each."

Comfort Colors
Biscuit and wheat neutrals, cocoa brown, pumpkin orange and cinnamon apple pie, are just a few of the comfort colors that will wrap your room with warmth and promote a stress-free space. The comfort color palette is an especially good choice for kitchens and family rooms.

Back to Nature
Yellows and blues, leaf-like greens, along with organic browns combine to bring the outdoors in. Add translucency and a glass like quality by incorporating varying paint sheen levels. As a subtle accent color, add rust or copper-like metallics into the scheme. Bedrooms and bathrooms are perfect places to incorporate the back to nature hues or in rooms where an accent wall is employed.

Stark Contrast
From clean, clear reds and deep plums to the sophistication of black and white, this color group works both as an accent and as an elegant backdrop for many living spaces. Polished brass metallics complement this scheme. Dining, living rooms and especially powder rooms will benefit from this bold and spicy palette.


Source: Color Trends 2007 Home Hues that Comfort and Excite


OnestopDesign and FeaturePics Images are commenting this information.

OnestopDesign:
Comfort Colors -
Earth tones, muted browns, yellows, reds, harvest colors, all good choices for relaxation and kicking back. Interior designers, OSD, Inc. recommends using these shades to make our interior designs feel like home the way we remember it. Family rooms, dining rooms, kitchens, should all transition from one to the other in an easy way. We are here to be calm, and this is how it's done.

FeaturePics Images:
Comfort Colors in Still Life Images:
   

OnestopDesign:
Back to Nature
A more vivid use of greens, yellow, and blues, aid in reflecting light into dark areas and bringing otherwise uninspiring rooms such as bathrooms and bedrooms up a level to where they are more interesting. Gloss and semi-gloss finishes, on smooth wall, aid in this effort to reflect light in a pleasing but not overwhelming way.

FeaturePics Images:
   


OnestopDesign:
Stark Contrast
Ramp up the elegance level with this pallette. Vivid reds, stark whites, endless blacks, serve to draw you eye in ways that other colors and combinations won't. OSD's interior designers can combine these and other colors in design statements that will result in dramatic outcomes.
FeaturePics Images:
Jar With Fruit Eggs and lemons  A glass of red wine with a single red rose Demitasse cup of coffee, saucer, vase and flower against black background


Using images and colors to aid the creative process is one of the keystones of interior design (or any other attempt at art). Ideas and inspirations don't just appear out of thin air. You don't suddenly have a brain fart, and instantly produce a great idea or production.

What happens is, you receive input in the form of experiences, the environment you are in, logic, a good color sense, balance, and finally, luck. Combined, these different facets come together to create a unique idea or design. Even though these are past inputs, when mixed in the right way for you and your clients, or associates, something occurs which hopefully hasn't before, hence "creation", and "originality". This creation was truly inspired, and therefore your own.

Thursday, January 11, 2007

Digital camera brands statistic



The chart below was composed as an informational tool so that our Authors and visitors alike, could see what cameras FeaturePics.com Authors were using.

This chart is not an endorsement, or recommendation of who makes the best cameras, rather it is a statement of which Brand is used most frequently by the stock photographers at FP.

Factors of cost, appearance, ease of purchasing accessories, all come into play when selecting a camera, so do your research!
Canon- 41%
Nikon - 32%
Sony - 8%
Olympus - 7%
FujiFilm - 6%
Panasonic - 2%
Other = 4%



Great photos of fireworks. Tips and hints.


This is a perfect time to discuss the techniques... 10 days after a major number of fireworks displays around the world. Many attempts. Some of them good, some not so good, some of them Great!

Thomas Russ Arnestad, FeaturePics Contributor asked the following question to FeaturePics and apStockPhoto contributors;! "I didn't realize how bad my skills were at photographing fireworks until now:) Does anyone have a few pointers on how to get better at this? Some thumb rules, general adjustments or do know of any good books or online tutorials on the subject? I'm pretty sure there are more like me who could need a brush up on the subject. Hope someone can contribute with their knowledge!"

We are publishing answers from FeaturePics.com and http://tech.groups.yahoo.com/group/apstockphoto Contributors.

By Madelaide
Every year I take photos of fireworks, but only this year I had a camera in which I could make adjustments (my previous P&S was all automatic).
I take many photos to get just a few decent ones - it all depends on the intensity of the fireworks and the amount of smoke they generate.
Roughly speaking, using ISO 50 and aperture f3.5, an exposure time between 1/4 and 1 second is adequate for most fireworks.
A larger exposure time may get a much brighter image though, getting more bursts in the same frame.
As it's difficult to predict where fireworks will explode, I don't zoom much and crop the final iamge as required.
This one for instance, now a 2MPix, was originally a 7Mpix, f6.3, 1sec.

By dr Bouz
For fireworks photos you'll need three things: a camera,
tripod, and a little knowledge. (some luck doesn't hurt either) :)
  • Put your iso at the smallest value.
  • Turn off all long exposure and other noise reductions on camera. Do not use
    "night" scene mode - use MANUAL (M) set White Balance (regarding what you want
    to shoot - at first place I mean if there is going to be only fireworks, or on
    example street or urban scenics with fireworks).
  • Set "middle" aperture (about 8), meter the light (if you will shoot "city" with
    firework).
  • Put the camera on the tripod.
  • "Frame" your future picture (I do not know if I wrote this correctly) put on "small continuous" speed of shooting (for exampe, 1 photo per second).

  • Put focus on...hm...what is the word.... (this number eight ( 8) laying down :)
    ) - and turn off autofocus.
  • Wait for "these firework guys" to start - and it's time to fill up your memory card.


  • By Pixelman
    First the thing should be:
  • use the tripod,
  • long time of exposure 6 second,
  • focus manual,
  • aperture f:8-11,
  • focal length 50-100 mm ISO 100-400.




  • Great photos of fireworks. Tips and hints.

    Wednesday, January 10, 2007

    Stock photography. Is that a bad word?


    Stock photography. Is that a bad word?
    We have been online for one year, and we have heard a lot of very interesting opinions. In summarizing them, we would like to highlight some misunderstood concepts.


    - Stock photo is a 20 cent photo

    Big and successful micro payment Mega-distributors payouts may be not so much per download, but they can provide a reasonable income because they sell a lot. It is one business model. We (at FeaturePics.com) are offering a different model. Photographers are setting their own prices and getting generous 70% returns. We are not a micro payment site, and if your images are competitive, better, unique feel free to set a price that is not even close to 20 cents.


    - Stock photos are "Handshake of Synergy" /"Business woman on the phone" type of photos.

    This is wrong. Stock photography consists of existing photographs no less, no more. The beauty of stock photography is that a photograph can be used and reused multiple times. This photograph can be about family, business, agriculture, nature, traveling, you name it.


    - Stock photography is killing professional photography.

    Wait a minute. Professional photographers have the powerful benefits of 24/7 e-commerce capability. The point is to find a good match with an agency or agencies. Some of our FeaturePics.com Authors prefer to set a higher price for their professional images, and distribute the images less frequently. They believe that the price is justified because of their time and expense for equipment, models, studios, etc, and therefore a better product.


    - The Photographer is losing 'image control'.

    There is always a chance... A client may use an image after the license has expired, beyond the license parameters, or an image can be transferred to someone else who has no right at all to use the image. The reality is, that our buyers ask several times in what way they can use an image. Why? Because they are usually extremely careful and do not want to be sued.


    A few times we faced situations when "Authors" uploaded photographs that did not belong to them. The stock photography world is very big, but it is a "small world" from the inside. FeaturePics.com has the privilege (due to not being oversized) to know the majority of our Authors by communicating with them through electronic means, phone, and sometimes meeting them personally.


    A quick reminder to our Authors please include a copyright notice in your image. You make a client sleep better and protect your image in a better way.


    - Stock photography is just for the money.

    We have a lot of examples of when Authors were very happy to see their free images (with credits) published in articles, or on big sites. Recognition is very important. A possibility to discuss photography subjects with other Photographers is very important. We believe it is "A Basic Need" to present your point of view and your artistry through photography.


    - If you license your images through agencies there is no need to do something by yourself.

    I would disagree. First of all it is fun to create your own site, to show your images the way you want, to write articles, and run discussion groups. The second it helps a lot to promote your own images. When you see 1,000,000 photos, 1,500,000 photos in stock it is easy to be lost in this world.


    Please check excellent examples of individual promotions by FeaturePics Authors


    - I just take a picture. People will find it because it is good.

    Just type "stock photos" on Google. What do you see? 71,100,000 results. I think "image description" should be a subject for our next talk.


    Yes, we were talking about technologies that can "recognize and describe images in words" (http://www.featurepics.com/Editorial/Alipr.aspx)
    It will take a little time to build a real technology that can describe your image correctly without human intervention. In the meantime, we take very seriously our responsibility to do  this job ourselves.


    No, it is not the end of our observations. We are learning and analyzing working in this wonderful world of stock photography.


    The only thing we can tell for sure thanks to stock photography and internet distribution everybody has a chance to express himself/herself by taking pictures (photographers) and by putting these images into work (designers).



    Stock photography